Pages

Friday, June 29, 2012

Wise Beyond Her Years


Going up the down staircase all these years has clearly kept Bel Kaufman hale and hearty. The author stood resolutely for the duration of her discussion with our Jewish Literature class, then returned in the evening, vibrant as ever, to celebrate the beloved Sholem Aleichem. The Up The Down Staircase author spoke fervently about her years as a teacher, her time as a writer, and the teachings of her grandfather. Yes, she was affectionate, charming and witty, however, even these adjectives seem empty beside her name.  Bel Kaufman is so much more than her amiable demeanor and sunny disposition. She has spent almost one hundred and one years, not merely surviving, but thriving in a harsh world. Kaufman has been triumphant.
Like her grandfather, Bel fought many battles throughout her life; and, like her grandfather, she has faced them with conviction, persistence and a splash of humor. The author told our class that she was turned down time and again because of the book’s unconventional style, yet she clung stubbornly to its epistolary format. Bel said the book would not have been effective had it been laden with description like a classical novel. As the author, she wanted to remain completely absent from her work.  The book “needed to be a speaking novel,” one that could represent the “gobbledygook,” and the “bureaucracy” of the public school system.
Although Bel had commonalities with many of the authors who visited our class, she and Erica Jong seemed most similar. This was not just because both were dressed to the nines and donned large Hollywood glasses (although it is perhaps the reason I began to compare them in the first place.) Rather, it was their fearlessness and use of humor that united the two women. Both Jong and Kaufman explore serious content but do so in a way that compels a reader to laugh. In this way, both women seem to take after Sholem Aleichem.  Kaufman spoke about Aleichem during both the afternoon and evening events. She called him “a great humorist” but noted that his “subjects are not funny at all.” The documentary Sholem Aleichem: Laughing in the Darkness further illustrated her point. In times sorrow, Aleichem chuckled. He returned time and again to laughter as a means for survival. 
  Bel began her afternoon discussion with our Jewish Lit Live class by asking how many people believed that her book was funny. Most of us raised our hands. “Its not,” she said sternly. “Its actually a very sad book about miscommunication.”  While the message of her book is serious, many passages within Kaufman’s novel are so absurd one has to laugh. This is exactly the point. In her article, At 95, Running Up The Down Staircase, Sandee Brawarsky compares Kaufman and her grandfather simply yet aptly. The author says, “she’s a writer like him, able to combine humor and compassion” (Brawarsky).  When Erica Jong spoke about Fear of Flying, she also discussed this dichotomy. “When people laugh,” Jong had said, “ I hope they will laugh with recognition.” This statement seems appropriate for the work of Kaufman and Aleicham as well. All three authors masterfully demonstrate how humor can overcome adversary.
It’s no wonder Kaufman continued to teach for decades after Up The Down Staircase became a best seller. She still had (and has!) so much to say. Her life is replete with stories, anecdotes and wisdom. Teaching seems to run through her veins. As Brawarsky notes, “she's a great storyteller, sharing tales in her deep voice of an engaging life.” Even now, when she has long since left the hallways of her public school, Kauffman remains a true educator. Teaching was never just an occupation, nor simply the premise for her book, it’s been a facet of Bel’s being entirely. Once Bel passed her exams, she “was teaching for the rest of [her] life.” “When I talk to you now,” Bel said, I’m still teaching.”
In perhaps the most poignant moment of our afternoon discussion, Bel Kaufman spoke about a teacher’s immortality, stating that “a teacher who showed you the way lives on in memory.” Wednesday night’s documentary further emphasized this idea. Aleicham’s stories contained messages about life, family, grief, and poverty. His tales live on, and so, he too remains. Kaufman refers back to her grandfather often. He is a ubiquitous force in her life, just as she claims all good teachers are on their students. 
Book reviewer Garson Kanin states in a quote appearing on the cover of Kaufman’s book, that Staircase is “pertinent useful, charming, important and utterly adorable.” This describes both the work and the author in general. She is so sweet and compelling that it is difficult to find fault with anything she says. And yet, at times I found myself challenging her belief that all it takes to be a truly great teacher is “to care.” While the sentiment is lovely, this idea seemed awfully simplistic. Doesn’t a teacher also need a solid method and the energy to push against an administration?   This does not mean that Kaufman’s advice was unwarranted, however. In fact, there was something deeply gratifying about seeing the idyllic, optimistic Syl Barrett still alive in Bel.
Kaufman, like the previous four authors, detailed the importance of empathy and the need to identify with your characters as a writer. Her compassion springs directly from her own personal experiences. The author discussed one Puerto Rican child who always sat silently in the back of her class , hindered by the language barrier in the room. Of course, Kaufman understood; she too had to adapt to a new language, a new world and a new way of life as a child.  “Been there, done that,” Bel said, smiling.  
Sandee Brawarsky says that Kaufman “has no secrets of longevity; she chalks up her energy and good health to good luck” (Brawarsky). Personally, I think her long life is the result of her persistence. That, and perhaps a bit of selfishness from her readers; those desperate to hang on to the teachings of Kaufman and who refuse to seal the portal to the world of Sholem Aleichem. 

Brawarsky, Sandee. 2006. At 95, running up the down staircase. The New York Jewish
Week, May 05, 2006. http://search.proquest.com/docview/362520146?accountid=11243 (accessed April 24, 2012).


No comments:

Post a Comment

Labels

Alexandria Allen Ginsberg American Library Association American Writers Museum Aryeh Lev Stollman author Beat Generation Beat Literature Bel Kaufman Beowulf book suggestions Books Cape Cod cartoon Chicken Soup with Rice Children's Bookstore Children's Literature City Lights classics Colbert Coleridge comic Daily Candy Dashiell Hammett David Foster Wallace David Sedaris DC Dispatches Dupont Circle Edward Gorey Erica Jong Exhibit F. Scott Fitzgerald Fear of Flying Feminism Ferlinghetti Fiddler on The Roof Finding The Future G8 Grant Snider Great Gatsby Grendel Grendel's Mother Grim Colberty Tales Gustave Dore Gwendolyn Brooks Harper Lee History of Love Hooray For Books Howl Humor illustrations Incidental Comics Independent Bookstore Jack Kerouac James Joyce Jane McGonigal Jewish American Literature Jewish culture Joan Didion John Gardner Ken Kesey Kramerbooks Ladder to The Moon Laughing in the Darkness Libraries Library of Congress literature lyrics Maltese Falcon Maurice Sendak Maya Soetoro-Ng Mervyn Peake Michael Herr Nathan Englander National Book Festival NATO New Orleans New York City Public Library Nicole Krauss novel Oldtown On The Road One Flew Over The Cuckoos Nest opening lines Pearl Abraham Poetry Power of The Word prose Quotes Ray Bradbury reading Rime of the Ancient Mariner Romantics Science Fiction seamus Heaney Sholem Aleichem short stories Story Coaster story festival Story Structure Summer The Beats The Far Euphrates The Mountain Goats The Romance Reader To Kill a Mockingbird Up The Down Staircase Virginia Washington DC We Real Cool Where The Wild Things Are White Album Will Sherman Wright to Read Zopilote Machine

Hot vs. Not

Submit your URL to a quality web directory. We are listed in the Fiction Directory